It eliminated some design and style factors that might date the project. Paul never had an interruption or needed to repeat anything. It was shot like a live performance with multiple cameras with long lenses following the action and lighting cues so that when Paul walked from the center console to the piano we didn’t have to cut and re-set, the lights would just change and the cameras would dolly over. We set up the production to be as unintrusive as possible. It was the most fun I’ve ever had on a shoot in my entire life. He has a casualness and he very much appreciates life and these opportunities he gets. There was no sense of layers of glass between you and Paul. One day we were filming and Jimmy Buffet just showed up and they started talking. His manager was there but there was no crew of protectors surrounding him. At the end of the day, he grabbed his guitar threw it in the back of his Bronco and just peeled off. The thing about Paul is he showed up in his Bronco, drove up alone and walked on set. Who were you more excited about meeting or more intimidated by? This interview has been edited for length and clarity. Heinzerling, 36, spoke recently by Zoom about meeting McCartney, filming in black and white and trying to find the right balance to appeal to the casual fans and the diehards. In both catalogs, there is an emphasis on classics like “Here, There and Everywhere” and “Live and Let Die,” but time devoted to underrated songs too, like “And Your Bird Can Sing” and “Waterfalls.” The docuseries jumps around in time – the Beatles’ Hamburg days and McCartney’s composition of “Yesterday” come up in the final episode – but not surprisingly it emphasizes the Beatles’ seven years of recording with only a few nods toward McCartney’s 50-year post-Beatles career, even though it produced 15 top 5 studio albums (including eight number ones) and 15 top 5 singles (including nine number ones). Where did this bass line come from, who played that instrument? You make assumptions about how songs are created but you’ll be surprised by the randomness that comes into it. “The premise of this was to take those stems and dissect them and translate the magic behind the songs. “The official stems used to create these songs haven’t really been released from Abbey Road Studios they’re held under lock and key,” he says. It hinged on getting access to the original Beatles’ masters. Heinzerling, who was nominated for an Oscar for his documentary “Cutie and the Boxer,” says McCartney and Rubin sorted out the content while he and Rubin plotted out how to film the production. Paul McCartney has nothing but love for Desert Trip crowd, does duet with Neil Young.50 moments from 1969 that shaped entertainment and pop culture.Paul McCartney reunites with Ringo Starr at Dodger Stadium during career-spanning show.50 years after the Beatles broke up, these Fab Four books have new stories to tell.It’s chance and trial and experimentation but also advanced knowledge of music – the intersection of skill and that ineffable quality is where this project lands and every aspect of shooting and designing it is in service of showing both sides of the creative process.” Related links “Rick has a desire to discover what makes something magic and timeless. “They had sort of a musicology geekfest conversation that led to this project,” says Zachary Heinzerling, who Rubin brought in to direct. This fall will bring Paul McCartney’s book “The Lyrics” and the Peter Jackson Disney+ docuseries “Get Back.” Still, when iconic producer Rick Rubin started talking to Paul McCartney, they found the impetus for a new project: “McCartney, 3, 2, 1,” a six-part docuseries on Hulu premiering July 16 in which Rubin and McCartney take apart some of the songwriter’s classics to look at the parts that made up the whole. The Beatles are likely the most documented, examined and celebrated musicians in books, film and TV of the last 60 years.
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